Audio engineers.
Behind your console.

When the venue has a sound system and the show needs an engineer, the right information makes a useful first conversation. Tell us about the console, the PA, stage monitors, and the artists on the bill. We’ll discuss the engineering role and schedule rather than asking you to figure out a whole new production package.

Front-of-house engineering focuses on the mix the audience hears. Monitor engineering supports what performers need to hear on stage. Some shows call for one engineer; others need separate roles. Share the artist requirements, stage setup, and existing crew so we can talk through an appropriate arrangement.

Recurring venue coverage starts with your calendar and the way your room operates. Include regular show nights, typical artist setups, and the responsibilities you need covered. For a single date, send the full working window, including load-in, soundcheck, performance, and the expected finish.

Sacramento Sound Solutions was founded by audio engineers Josh Greene and Rebecca Sleeth. Rebecca’s interview in Sacramento News & Review offers a look at her path into live sound and the local need for dependable engineers that helped shape the company.